Sonneck Society for American Music
Bulletin, Volume XXV, no. 2 (Summer 1999)
Some Recent Articles and Reviews
Compiled by William Kearns, University of Colorado at Boulder
AMERICAN HARP JOURNAL (Winter 98): Alan Wheelock, "A Harpist in Spite of Himself [Harpo
Marx]," 29.
AMERICAN MUSIC TEACHER
(Apr/May 99): Adrienne Fried Block, "Amy Beach as Teacher," 22.
THE AMERICAN ORGANIST
(May 99): Stehen Ackert, "Herman Berlinski's Job," 62.
ASIAN MUSIC
(Fall/Winter 98/99): Tina K. Ramnarine, "Historical Representations, Performance
Spaces, and Kinship Themes in Indian-Caribbean Popular Song Texts," 1.
THE ATLANTIC MONTHLY
(Feb 99): Essay review of Richard M. Sudhalter's Lost Chords: White Musicians and Their Contributions
to Jazz, 1915-1945, by William H. Youngren, 86.
(May 99): Francis Davis, "Bob Dylan: Napoleon in Rags," 108.
BBC MUSIC MAGAZINE
(Special Issue 99 -- The Golden Age of Musicals): David Benedict, "Songs from Five Classic Shows," 9;
Robert Cushman, "A Nation Born of Song," 14; Geoffrey Block, "Not Only for Cock-Eyed Optimists," 16;
Richard Traubner, "Maiden Voyage [Show Boat]," 24; Stephen Banfield, "Gonna Take You Higher
[Gershwin & Weill]," 28; Ruth Leon, "Bard Over Broadway [Cole Porter]," 32; Sheridan Morley, "Bitter
Sweet Memories [the British Musical]," Robert Sandla, "The Double Life of Richard Rodgers," 40;
Brian Kellow, "Let's Face the Music [screen musicals]," 46; David Benedict, "The Odd Couple [Lerner and
Loewe]," 52; Frank J. Oteri, "France and Fierce [Loesser]," 56; John McGlinn, "Settling Old Scores
[classic musicals]," 60; David Stearns, 'New Realities of the Musical," 64.
(Feb 99): Max Loppert, "San Francisco's Golden Boy [Michael Tilson Thomas]," 48.
(Apr 99): biographies and portraits of 43 leading contemporary British composers, 32.
BLUEGRASS NOWBR>
(Jan 99): Hilary West, "The Gibson," 499.
(Feb. 99): Eddie Collins, "Tim O'Brian," 4.
(Mar 99): Jon Weisberger, "Mountain Heart," 4.
(Apr 99): Edddie Colins, "Jerry Douglas," 4.
(May 99): Jon Weisberger, "Don Rigsby," 4.
BLUES ACCESS
(Sp 99): Wayne Robbins,"Talk to the Boss: His Majestry Mr. [B.B.] King," 12; Bill Kisliuk, "Late
Bloomer: Deborah Coleman," 28; David Horowitz, "Luther Allison's Last Recording Session," 34; John
Sinclair, "Coco Robicheaux: Dweller of Spiritland," 40; Karl Bremer, "Levy-tating [Ron Levy]," 46.
BLUES REVUE
(Mar 99): Soctt Jordan, "Irma Thomas: Time is on Her Side," 8; BIll Wasserzieher, "Roy Roger: the Human
Touch," 14; "David 'Honeyboy' Edwards: Blues Ain't Going Away," 16; Bob Vorel, "Johnny Hoy and the
Bluefish," 22.
(Apr 99): Tom Townsley, 'Charlie Musselwhite's Musical Sojourn," 8; Bret Kofford, "A.J. Croce: Fit
to Serve," 13; Michael Cote, "Jerry Ricks Dips Deep," 16; Art Tipaldi, "Chris Smither's River of
Song," 20.
(May 99): Bret Kofford, "Delbert McClinton: One of the Fortunate Few," 9; Maureen DelGrosso, "Pinetop
Perkins: Hopson Homecoming," 16; Art Tipaldi, "Petty Scott-Adams: All in Good Time," 21; Ed Ivey, "James
Armstrong, I Can Still See the Light," 27.
(June 99): Scott Jordan, "Keb' Mo': No Time to Slow Down," 8; Michael Cote, "Angela Strehli: Queen of the
Texas Blues," 17; Art Tipaldi, "R.L. Burnside: The Wizard is in," 25; Maureen DelGrosso, "Eric
Bibb; Many Shades of the Blues," 28.
BOOSEY & HAWKES NEWSLETTER
(Jan 99): "Carlisle Floyd: A Spectacular Season," 1; "Reich's and Korot's Hindenburg Rises," 2;
"Levy's Mourning Becomes Electra Triumphant," 3; "Lees: From Manhattan to Monaco," 4; "Del Tredici:
Dracula Comes to Life," 6.
BRASS BULLETIN
(104/4, 98): Jean Pierre Mathez, "Canadian Brass: 28 Years Young," 8.
BULLETIN: COUNCIL FOR RESEARCH IN MUSIC EDUCATION
(Fall 98): John Grashel and Albert LeBlanc, "The Council for Research in Music Education: The First
Three Decades," 1; reviews of John Brimicombe Chenault's, "A Survey of Public School Music in the State of
North Carolina for 1990-91 [PhD, U. of Illinois]," 83, & Edward Wayne Lord's "Perceptions of Selected
Public School Personnel Concerning the Value of Teaching Music in the Public Schools of South
Carolina [PhD, U. of SC]," 86, both by Richard Weerts.
THE BULLETIN OF HISTORICAL RESEARCH IN MUSIC EDUCATION
(Jan 99): Samuel D. Miller, "A Personalized Profile of W.Otto Miessner," 85; Michael L. Mark, "The Public Policy
Roots of Music Education History," 103; Carolyn Livingston, "The History of Music and Music Education
in Rhode Island: A Project for Graudate Students," 121.
CADENCE
(May 99): Bill Donaldson interviews Mickey Roker, 5, and Walter Horn interviews Mat Maneri, 12.
CANADIAN UNIVERSITY MUSIC REVIEW
(19/1, 98): John Beckwith, "Ernest MacMillan and England," 34. Revs. of Carl Morey's Music in
Canada: A Research and Information Guide, by Lisa Philpott, 85; John Beckwith's Music Papers:
Articles and Talks by a Canadian Composer, 1961-1994, by Glenn D. Colton, 86; James B. Hartma's
The Organ In Manitoba: A History of the Instruments, the Builders, and the Players," 91; Joan
Retallack, ed., Musicage: Cage Muses on Words, Art and Music, and Kyle Gann's The Music of
Conlon Nancarrow, by Roger Knox, 108; Royal S. Brown's Overtones and Undertones: Reading Film
Music, Philippe Mather, 120.
CANADIAN FOLK MUSIC BULLETIN
(Mar 99): Dorothy Hogan, "The Fiddlers Will Play on Three Stings for Quite a While," 7.
CHAMBER MUSIC
(Apr 99): Wes Blomster, "The Aspen Idea at 50," 18.
(June 99): Jessie Duchen, "Invasion: Americans in London," 34; David Patrick Stearns, "Modernism
Redux -- Coming of Age or Over the Hills?," 40.
CHORAL JOURNAL
(Mar 99): Teresa S. COffman, "Carlisle Floyd's Settings in His Works for Chorus," 37.
CIVILIZATION
(Feb/Mar 99): Elizabeth KEndall, "Cabaret Comeback," 34.
THE CLARINET
(Mar 99): Glen BOwen, "The Music of Alex Wilder," 58.
CLAVIER
(Feb 99): Frederick Koch, "The Many Facets of Leonard Shure," 18.
COLLEGE MUSIC SYMPOSIUM
(V. 28, 1998): Ennis Williams, "Wilfred C. Bain: A Reminiscence In Memorian," 1; William Thomson,
"On Miles and the Modes," 17; Harry White, "'A book of manners in the wilderness': The Model of
University Music Education and Its Relevance as Enabler in General Education in Ireland," 47; David J.
Elliott and Kari K. Veblen, "Of Irish Myth: a Response to Harry White," 63; Deborah Wong, "Ethnomusicology
and Critical Pedagogy as Cultural Work: Reflections on Teaching and Fieldwork," 80; Cheryl Jackson,
"Women as Leaders of Collegiate Bands, 1850-1980," 118; Shelley M. Jagow, "Women Orchestral Conductors
in America: The Struggle for Acceptance," 126. Revs. of Carl Woideck's Charlie Parker: His Music
and Life, by Robert Rawlins, 146; Judith Tick's Ruth Crawford Seeger: A Composer's Search for
American Music, by Cyrilla Barr, 152; The Alan Lomax Collection: Sampler, The Alan Lomax
Collection: Southern Journey, vols. 1-13, Rounder Records CD 1701-1713, and Nolan Porterfield's
The Life and Times of John A. Lomax, all by Ron Pen, 156.
CONTRIBUTIONS TO MUSIC EDUCATION
(26/1, 99): Gene F. Milford, "George T. 'Red'Bird: Innovations and Developments of March Band techniques
at Massillon, Ohio (1938-1946)," 86.
THE DIAPASON
(Mar 99): Herbert L. Huestis, "From European Training to American Organ Building: Following the Career
of Martin Pasi," 16.
(May 99): James B. Hartman, "Canadian Organ Building, Pt. 1," 16.
DOUBLE BASSIST
(Sp 99): Ken Smith and Melissa Richard, "Crossing the Border: Pablo Aslan, The Master of Tango," 26.
THE DOUBLE REED
(Mar 99): Andy Wallace & Peter Dobrin, "Sol Schoenbach, 83, Orchestra Bassoonist (obituary from Phila.
Inquirer)," 27; "Sol Schoenbach (1915-1999): A Life in Pictures," 29.
DULCIMER PLAYERS NEWS
(Feb-Apr 99): Ralph Lee Smith, "The Tale of Jean Ritchie Dulcimer #228," 16; Paul Gifford, "Origins
and Early Years of the Original Dulcimer Players Club," 20; Eileen Roys, "The Mill Run Dulcimer Band,"
26; Glen Morningstar, "The Olde Michigan Ruffwater Stringband," 28.
(May-July 99): Ralph Lee Smith, "Samuel F> Russell, Old-Time Virginia Dulcimer Maker," 24; Paul
Gifford, " The Original Dulcimer Players Club, [Pt. 2]" 40.
ETHNOMUSICOLOGY
(Winter 99): INgrid Monson, "Riffs, Revivals, and Theories of Globalization," 31; Tamara E. Livingston,
"Music Revivals: Towards a General Theory," 66, Revs. of Judith Tick's Ruth Crawford Seeger: A Composer's
Search for Identity, by Anthony Seeger, 171; Charles Seeger, Studies in Musicology II: 1929-1979,"
by Adelaida Reyes, 174.
FLUTE TALK
(Jan 99): Bethany Harvey, "Flute Music of William Grant Still," 20.
(Feb 99): Kerry Clinton, "Images for Copland's Duo," 13.
FILM SCORE MONTHLY
(Feb 99): Jeff BOnd, "Jerry Goldsmith" [90s compositions], 18.
(Mar 99): review articles on 1998 releases.
(Apr/May 99): articles on Franz Waxman's Prince Valiant.
GRAMMY MAGAZINE
(July/Aug 98): Darryl Morden, "Breaking the Sound Barrier," 20; Chris R. Gennusa, "Who Really Controls
Radio?," 22; Paul Grein, "The Grammy Top 40, 1958-1998," 26; Dan Kimpel, "Can You Make It More Commercial?
Rock and Ambient Music Replacing Jingles in TV Ads," 11; David Konjoyan, "Wheezing Synergy Breathers in
Soundtrack Videos," 13; Michael Greene, "Congress Services up the Silent Meal [legislation
allowing restaurants to play songwriters' compositions without payment]," 17.
GRAMOPHONE
(Apr 99): Matthew Gurewitsch, "[Previn's] Streetcar rolls into San Francisco," 10.
HARMONY: FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE
(Apr 99): "The Jurassic Symphony: Pt. 2 -- Taking on the Dinosaur: Strategic Options for Symphony
Organizations," 15; Bernhard H. Derres, "Orchestras in a Complex World," 45.
THE HORN CALL
(Nov 98): Alex Grieve, "In Memoriam: Harold L. Meek (1914-1998)," 33.
THE HYMN
(Jan 99): John D. Witliet, "The Blessing and Bane of the North American Megachurch: Implications for
Twenty-First Century Congregational Song," 6; Michael Carney, "Liturgical Music in the Postmodern Age," 15;
J. Barrington Bates, "Metaphor, Imagination, and Symbol in Hymnody: An Anglican Perspective," 24;
David W. Music, "Issac Watts in America Before 1729," 29; Greg Schaefer, "My Dear Friend: Concetps on Mentoring
a Hymn Writer Based on Selected Correspondence of Rev. John Newton and William Cowper, 1767-1786," 34.
(Apr 99): Alan Barthel, "Voices United: The Hymn and Worship Book of the United Church of
Canada," 8; William S. Smith, "From Scripture to Congregational Song," 12; Gabriel Fackre,
"Christian Teaching and Inclusive Language Hymnody," 26.
INSTITUTE FOR STUDIES IN AMERICAN MUSIC NEWSLETTER
(Fall 98): Richard Crawford, "Rethinking the Rhapsody [in Blue]," 1; Edward A. Berlin, "Gershwin on
Disc," 5; Charles Wolfe, on gospel singer Bill Gaither, 7; Artis Whodehouse, "Time to Remember Zez Confrey,"
8; Margo Jefferson, "Porgy & Bess--the Film," 12. Revs. of The Whole World of Music: A
Henry Cowell Symposium, by Carol J. Oja, 3; Wayne Schneider's The Gershwin Style: New Looks
at the Music of George Gershwin, by Stephen Banfield, 4; The Jazz Singers (Smithsonian
Collection of Recordings), by Mark Tucker, 10. Daniel Kingman, "Widening the Lens II," response to
Mark Slobin's "Widening the Lens," [ISAM Newsletter (Sp 98)].
THE INSTRUMENTALIST
(Feb 99): Paul Cohen, "Of Percy Grainger and Saxophones," 50.
(Apr 99): John B. Young, "For the Love of Composing [interview with Hugh Downs, television personality
& composer]," 38.
INTERNATIONAL ALLIANCE FOR WOMEN IN MUSIC
(Winter 99): Linell G. Moss, interview with composer Libby Larson, 8.
INTERNATIONAL ASSOCIATION OF JAZZ RECORD COLLECTORS JOURNAL
(Fall 98): Art Zimmerman, "A Living Legend Passes on [Benny Waters]," 29.
(Winter 99): "Artie Shaw's Address to the IAJRC Convention, August 15, 198," 9.
(Sp 99): Al Vollmer, "Al Casey and the Harlem Blues & Jazz Band," 20; Hans Koert,
"The hit-of-the-week/Durium label, a history of a flexible depression label in America and Europe
(1930-1936)," 29.
INTERNATIONAL PIANO QUARTERLY
(Sp 99): Grefor Benko, "The incomparable Josef Hofmann," 12.
INTERNATIONAL TROMBONE ASSOCIATION JOURNAL
(Sp 99): Patrick O. Smith, "Remembering Frank Crisafulli [1916-1998]," 34.
INTERNATIONAL TRUMPET GUILD
(Feb 99): Delon G. Lyren, "Rafael Mendez: The Life of a Master Trumpeter," 4.
JAZZ EDUCATORS JOURNAL
(Jan 99): William Bauer, "Everytime We Say Goodbye: A Portrait of Benny Carter
[d. 1998]," 108; Danna Milstein, "The Thelonious Monk Institute of Jazz," 120.
JOURNAL OF BAND RESEARCH
(Sp 99): Andrew Boysen, "Hail California! Saint-Saens's Unknown Band Work," 19; Brian L.
Dewld, "The Waits of England," 51; Neal H. Schoor, "An Analysis of David Gillingham's Prophesy
of the Earth (1993)," 63.
THE JOURNAL OF COUNTRY MUSIC
(20/2, 99): Randy Fox & Michael Gray, "Hillbilly Boogie! All Mama's Children Are Doin' the Bop,"
16; Chris Dickson, "Stonewall Jackson," 26.
JOURNAL OF RESEARCH IN MUSIC EDUCATION
(Sp 99): Steven J. Morrison and Cheung Shing Yeh, "Preference Responses and Use of Written
Descriptors among Music and Nonmusic Majors in the United States, Hong Kong, and the People's
Republic of China," 5; Judith A. Jellison and David E> Wolfe, "Video Songs from Sesame Street:
A Comparison of Fifth Graders' and Adults' Opinions regarding Messages for Preschool Children," 64.
JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY
(Sp 98): Linda P. Austern, "Nature, Culture, Myth, and the Musician in Early Modern England," 1.
Revs. of ed. Krin Gabbard, Representing Jazz, and Krin Gabbard's Jazz Among the Discourses, by
Mark TUcker, 131; Robert Walser's Running with the Devil: Power, Gender, and Madness in Heavy
Metal Music, by Deborah Wong, 148.
JOURNAL OF THE AMERICAN VIOLA SOCIETY
(Winter 98): LeeAnn Morgan interviews Joseph de Pasquale, "Rochberg's Sonata for Viola and Piano," 15;
Tully Potter, "William Primrose: A Life Recorded," 31; "New Primrose International Viola Archives and Rooms at
Brigham Young University," 39.
JOURNAL OF THE VIOLIN SOCIETY OF AMERICA
(16/1, 99): James A. Gould, "The Early Violin Makers of New England," 3.
KEYBOARD
(Apr 99): Mark Harrison, "Raise the Roof" [gospel style], 52.
(May 99): Andy LaVerne, "Back 'On Green Dolphin Street': Revitalizing a Classic with Harmonic
Revisionism," 64.
(July 99): Ernie Rideout, "The Art of Memory [Brad Mehldau]," 56.
LENOX AVENUE: A JOURNAL OF INTERART INQUIRY
(4, 98): Lawrence Kramer, "Consciousness Redoubled: Music, Race and Three Riffs on Lenox Avenue, 1;
Bruce Tucker, "Integrative Studies and the Speaking Subject in Some African-American Art," 19; Samuel A.
Floyd Jr., "Toward a Theory of Diaspora Aesthetics," 25; George E. Lewis, "Singing Omar's Song: A
(Re)construction of great Black Music," 69; Robin Moore, "Poetic, Visual and Symphonic Interpretations
of the Cuban Rumba: Toward a Model of Integrative Studies," 93.
LIVING BLUES
(Jan/Feb 99): articles on Larry Garner, Sandra Hall, Arthur Adams, and Jimmy "T-99" Nelson.
(Mar/Apr 99): articles on Othar Turner, Abu Talib, Easy Babyk, and Aaron Moore.
(May/June 99): articles on Cephas Wiggins, Warner Williams, Michael Roach, Honeyboy Edwards,
Larry Johnson, and Guy Davis.
MODERN DRUMMER
(May 99): Rick Van Horn, "A Look at Ludwig [Company]," 80.
(June 99): Mike Haid, "A Different View of Chick Corea," 126.
(July 99): Zoro and Allan Slutsky, ' The Drummers of Motow," 72.
MUSIC AND LETTERS
(Feb 99): rev. of BIll Kirhner, ed., A Miles Davis Reader, by Mervyn Cooke, 151.
(May 99): Daniel Beller-McKenna, "Beatle-John's [Lennon] 'Alter Ego'," 254. Revs. of Ian Bradley's
Abide with me: the World of Victorian Hymns, by Nicholas Temperley, 303; Dale Cockrell's
Demons of Disorder: Early Blackface Minstrels and their World, by Mervyn Cooke, 301; Leonie
Rosensteil's Nadia Boulenger: a life in Music, by Carol Potter, 315; David Schiff's
The Music of Elliott Carter, by Arnold Whittall, 321.
Music Educators Journal
(Mar 99): Abby Ellis, "Clark Terry: Ambassador of Music," 36.
(May 99): Luvena A. George, "Duke Ellington: The Man and His Music," 15.
THE MUSICAL QUARTERLY
(Sum 98): Dick Higgins, "Cowell's Lost Fantani, 232.
NARAS JOURNAL
(Winter 98-99): Sam Sutherland, "Introduction: Music in the Wired World," 9; Brett Atwood,
"On-Line Commerce: Narrowing the Gap Between Artist and Audience," 17; Craig Anderton, "The Ethical
Delimma of Digital Empowerment," 63.
NOTES: QUARTERLY JOURNAL OF THE MUSIC LIBRARY ASSOCIATION
(Mar 99): John Koegel, "New Sources of Music from Spain and Colonial Mexico at the Sutro Library,"
583. Revs. of PHilip Blackburn's Enclosure 3: Harry Partch, by W. Anthony Sheppard, 679; Toma
Makela, ed., Music and Nationalism in 20th-Century Great Britain and Finland, by Walter
A. Clark, 680. Music rev., James R. Briscoe, ed., Contemporary Anthology of Music by Women,
by Cathrine P. Smith, 760.
OPERA NEWS
(Apr 99): Four articles on Carlisle Floyd's Susannah (produced at the Met this spring) by
Barrymore L. Scherer, Julius Rudel, William R. Braun, and Paul Thomason.
(June 99): Mario Mercado, "Green Light for Gatsby [Harbison's opera slated for Met
performance in Dec]," 22.
THE OPERA QUARTERLY
(Sp 99): June C. Ottenberg, "Gustav Hinrichs and Opera in Philadelphia, 1888-1896," 196; Nina Morgana
Zirato, "Remembering Lily Pons," 224; Niel Rishoi, "Jeanette MacDonald in Opera," 251. Revs. of Paul
Jackson's Sign-Off for the Old Met: The Metropolitan Opera Broadcasts, 1950-1966," by
Bruce Burroughs, 268; Mary Jane PHillips-Matz's Rosa Ponselle: A Centenary Biography, by
Joe Pearce, 280; Anthony Tommasini's Virgil Thomson: Composer on the Aisle, by Victor F.
Yellin, 302; Brendan G. Croll's The Last Prodigy: A Biography of Erich Wolfgang Korngold, by
Stephen A. Willier, 308.
PAN PIPES
(Winter 99): Melba Cope, "A Feminist Perspective: How Do We Get There?," 3; Nancy Van de Vate,
"A Look at Feminist Musicology," 4; Janet T. Nieburg, "Classical Music,
the last bastion of Colonialism?," 5.
PERCUSSIVE NOTES
(Feb. 99): Sarah E. Smith, "Percussion Instruments in America's Shrine to Music Museum," 6.
PIANO TODAY
(Sp 99): Stuart Isacoff, "Jean-Yves Thibaudet: A Classical Pianist Plays Ellington."
POPULAR MUSIC
(Jan 99): Christopher Ballantine, "Looking to the USA: the politics of male close-harmony song style
in South Africa during the 1940s and 1950s," 1; David Temperly, "Syncopation in rock: a perpetual perspective,"
19; Liz Garnett, "Ethics and aesthetics: the social theory of barbershop harmony," 43; Pratria
Roman-Velazquez, "The embodiment of salsa: musicians, instruments, and the performance of a
Latin style and identity," 115; William Echard, "An analysis of Neil Young's 'Powerfinder' based on
Mark Johnson's imagae schemata," 133.
POPULAR MUSIC AND SOCIETY
(Sp 98): Jon Wiener, "Pop and Avant-Garde: The Case of John and Yoko," 1; JIm Sernoe, "Here You Come
Again: Country Music's Performance on the Pop Singles Charts from 1955 to 1996," 17; Alan Wells and
Hiroshi Tokinoya, "The Genre Preferences of Western Popular Music by Japanese Adolescents," 41; Sammie
Ann Wicks, "America's Popular Music Traditions as 'cannon-Fodder,'" 55.
(Sum 98): Thomas C. Carlson, "The Comeback Corpse in Hollywood: Mystery Train, True Romance, and the
Politics of Elvis in the 90s," 1; Peter Mauel, "Gender, Politics in Carribean Popular Music: Consumer
Perspectives and Academic INterpretation," 11; Mark Mattern, "Cajun Music, Cultural Revival: Theorizing
Political Action in Popular Music," 31; George Plasketes, "The Long Rider: From Studio Sessions and Solo
Artist to Score and Soundtrack Specialist: Ry Cooder's Musicological Quest," 49; Andre J. M>
Prevos, "Hip-Hop, Rap, and Repression in France and in the United States," 67.
THE RECORD COLLECTOR
(Dec 98): Edward H. Pearson, "Alma Gluck," 238.
REVISTA DE MUSICA LATINO
(Fall-Winter 98): Christopher Washbgurne, "Play It on FIlm!: The Swing and Espression of
Salsa," 160.
RHYTHM: GLOBAL SOUNDS AND IDEAS
(Jan 99): Jim Bessman, "Polka Power," 24.
(Mar 99): "Eyes on Ireland": articles on Davy Spillane, Snead O'Connor, Katie McMahon, Maire Brennan,
and Donal Lunny.
(Apr 99): Ken Smith, "Kate Rusby," 22.
(May 99): Chris King, "World Music Archivists [Alan Lomax, John COhen, PHilip Yampolsky]," 22.
(June 99): Andrew Means, "Primeaux and Mike [Sioux-Navajo duo]," 24.
SHEET MUSIC
(Jan-Feb 99): Kirk Miller, "The Songwriting Team Behind Ragtime & Anastasia," 7.
(May-June 99): Mario Rapisarda, "Carl Fischer and Frankie Laine," 6.
SING OUT!
(Winter 99): Matt Greenwald, "BIlly Bragg Carries on for Woody," 34; Seth Rogovoy, "The Klezmatics:
Revitalizing Their Roots," 48; John Cohen interviews Pat Conte, compiler of ethnic collection, The
Secret Museum of Mankind, 60.
SONDHEIM REVIEW
(Sp 99): articles on Anyone Can Whistle.
SMITHSONIAN
(Mar 99): Doug Stewart & Gail Mooney, "The Joint is Jumping [jitterbugging]," 60: David
Taylor, "Paderewski's Piano," 30.
(Apr 99): Bruce Watson & Theo Westenberger, "Concerto for Pencilina and Sewer Flute [wacky
instruments]," 105.
SOUNTRACK
(Sp 99): "Jerry Goldsmith Turns 70: A 31-Page Tribute," 21.
STRAD
(Mar 99): Ken Smith, "Back Off Track [Nigel Kennedy]," 243.
STRINGS
(May-June 99): Jana Luckey, "In the Real World [the Alexander String Quartet]," 32.
(July 99): "Thanks for the Memories [Yehudi Menuhin]," 38.
SYMPHONY
(Mar-Apr 99): Tom Strini, "Showman of Substance [Andreas Delfs, conductor of Milwaukee SO],"
28.
(May-June 99): Marc Shulgold, "Magic in the Mountain Air [50 years of Aspen Music Festival
and School], 16; tribute to the late Robert Shaw, 30.
TEMPO
(Apr 99): David Drew, "Der Weg der Verheissung: Weill at the Crossroads," 33; Julian Silverman,
"Barbican: The Carter Event," 60.
THE TRACKER
(3, 98): R.E> Coleberd, "Six Pipe Organs in Kansas City, Missouri," 10.
(4, 98): Alan Laufman, "Montreal in '99 [an overview of organs]," 10.
TUBA
(Winter 99): "Arnold Jacobs: A Memorial Tribute," 3.
(Sp 99): Mick Knack, "100 Years of Sousaphones," 51.
Updated 8/20/99