SELECTED LIST OF ROBERT STEVENSON’S COMPOSITIONS

 

For Orchestra

Concerto for Piano and Orchestra (1934); Concerto for Violin and Orchestra (1942); Two Peruvian Preludes (c1962); Frontera Suite (n.d.)

 

For Clarinet and Piano

Sonata for Clarinet and Piano No. 1 (n.d.); Sonata for Clarinet and Piano No. 2 (1953)

 

For Piano

12 Preludes (1933); “Bronco Bustin,” “An Old Spanish Mission,” and “The Lonesome Prarie” (1947); A Cambridge Sonata (1953); A Manhattan Sonata (1954); A New Haven Sonata (1954)

 

For Organ

Coronation Concerto (1954); Festival Fantasy on “Duke Street (n.d.); Four Pastorals for Organ (n.d.)

 

For Chorus

A Sandburg Cantata, SATB, pf, 1954; A Cantata of Psalms, SATB (1990?), Charter Day Cantata, SATB, pf (n.d.); A Keats Cantata, SATB, pf (n.d.), Make Haste, O God, SATB, pf (n.d.); O God, Our Help in Ages Past, SATB, org (n.d.)

 

Principal publishers: Boston Music Company, Independent Music Publishers, Lowe and Brydone Printers Ltd

 

SELECTED BIBLIOGRAPHY RELATING TO ROBERT STEVENSON

 

Campos Fonseca, Susan. “Robert M. Stevenson: Los inicios de una musicología fronteriza.” Revista Música (Real Conservatorio Superior de Música de Madrid) 16-17 (2009-10): 168–88.

__________. “Robert Murrell Stevenson desde las reseñas críticas de sus contemporáneos.” Revista electrónica de musicología 12 (March 2009); http://www.rem.ufpr.br/_REM/REMv12/11/susan_campos_fonseca.htm

__________. “Robert Murrell Stevenson: Pensamiento músico-lógico y preguntar “músico(etno)lógico” en las Américas.” Boletín de Música (Casa de las Américas, Havana) no. 25 (2010): 93–111; http://www.casadelasamericas.com/publicaciones/boletinmusica/actual/revistaboletin.php?pagina=boletin

Claro Valdes, Samuel. “Veinticinco años de la labor iberoamericana del doctor Robert Stevenson.” Revista Musical Chilena nos. 139-40 (1977): 122–39.

Fernández de la Cuesta, Ismael. “Biblioteca y Archivo del Profesor Robert Stevenson.” Revista Música (Real Conservatorio Superior de Música de Madrid) 4-6 (1997-99): 105.

Fernández de la Cuesta, Ismael. “Robert Stevenson: La Sabiduría de la sencillez.” Música (Real Conservatorio Superior de Música de Madrid) 1 (1994): 12–14.

Lange, Curt. “Una nueva revista, un nuevo vocero musicológico de las Américas.” Heterofonía 12, no. 2 (March-April 1979): 4–6.

Magalhaes-Castro, Beatriz: “Haydn’s Iberian World Connections: New Perspectives on Robert Stevenson’s Contributions to Latin American Music Studies.” Ictus: Periódico do PPGMUS/UFBA 6 (2005); http://www.ictus.ufba.br/index.php/ictus/article/view/57

Mariz, Vasco. “Robert Stevenson aos 90 anos.” Brasiliana 22 (January 2006): 29-30.

Merino, Luis. “Contribución seminal de Robert Stevenson a la musicología histórica del Nuevo Mundo.” Revista Musical Chilena 39, no. 164 (1985): 55-79.

O’Connor, Michael, and Walter Aaron Clark, eds. Treasures of the Golden Age: Essays on Music of the Iberian and Latin American Renaissance in Honor of Robert M. Stevenson. Hillsdale, NY: Pendragon Press, 2012.

Peláez, Patricia, Arturo Tello, and Pablo Romeu. “Catálogo de las composiciones de Robert Stevenson en la Biblioteca del Real Conservatorio Superior de Música de Madrid.” Revista Música (Real Conservatorio Superior de Música de Madrid) 7-9 (2000-02): 187-253.

Pérez Soto, Adriana, and Ricardo Miranda. “Robert Stevenson y la música mexicana: Bibliografía selecta.” Heterofonía nos. 114-115 (1996): 64–69.

Pulido Silva, Esperanza. “Robert Stevenson, mexicanista.” IAMR 10, no. 2 (Spring-Summer 1989): 93–100.

Robles Cahero, José Antonio. “Una labor de medio siglo en la investigación musical: Entrevista con Robert Stevenson.” Heterofonía nos. 114-15 (1996): 48–63.

 

SELECTED LIST OF ROBERT STEVENSON’S PUBLICATIONS

 

Note: This publication list does not include record liner notes, concert program notes, book reviews, or the many hundreds of articles Robert Stevenson contributed to dictionaries and encyclopedias such as Grove’s Dictionary of Music and Musicians (fifth edition), The New Grove Dictionary of Music and Musicians (first and second editions), The New Grove Dictionary of American Music (first edition), The New Grove Dictionary of Opera, The New Catholic Encyclopedia, Die Musik in Geschichte und Gegenwart, or the Diccionario de la Música Española e Hispanoamericana. Nor does it include book prefaces or forewords, or the bibliographic essays Stevenson wrote as the music editor for the Handbook of Latin American Studies (Library of Congress).

 

IAMR = Inter-American Music Review.

 

A. Musical Editions of Latin American and Iberian Music

1.      Antología de polifonía portuguesa, 1490-1680. Edited by Robert Stevenson, Lus Pereira Leal, and Manuel Morais. Lisbon: Fundaçao Calouste Gulbenkian, 1982.

2.      Christmas Music from Baroque Mexico. Berkeley, CA: University of California Press, 1974.

3.      Foundations of New World Opera with a Transcription of the Earliest American Opera, 1701. Lima: Ediciones  “CVLTVRA,” 1973.

4.      “Hispanic-American Music Treasury, 1580-1765.” IAMR 6, no. 2 (Spring-Summer 1985) and 7, no. 1 (Fall-Winter 1985): two entire issues.

5.      Latin American Colonial Music Anthology. Washington, D.C.: General Secretariat, Organization of American States, 1975.

6.      La púrpura de la rosa, estudio preliminar y transcripción de la música. By Tomás de Torrejón y Velasco. Edited by Robert Murrell Stevenson. Lima: Instituto Nacional de Cultura, Biblioteca Nacional, 1976.

7.      Seventeenth-Century Villancicos from a Puebla Convent Archive Transcribed with Additional Added Parts for Ministriles. Lima: Ediciones ‘CVLTVRA,’” 1974.

8.      Vilancicos Portugueses. Lisbon: Fundaçao Calouste Gulbenkian, 1976.

 

B. Books and Monographs: U.S., Latin American, and Iberian Music

1.       Caribbean Music History. A Selective Annotated Bibliography with Musical Supplement.” IAMR 4, no. 1 (Fall 1981): entire issue.

2.      Cathedral Music in Colonial Peru. Lima: Pacific Press, 1959.

3.      A Guide to Caribbean Music History. Lima: Ediciones “CVLTVRA,” 1975.

4.      Juan Bermudo. The Hague: Martinus Nijhoff, 1960.

5.      Music in Aztec and Inca Territory. Berkeley, CA: University of California Press, 1968, 2nd ed., 1976.

6.      Music in El Paso. El Paso, TX: University of Texas at El Paso Press, 1970.

7.      Music in Mexico: A Historical Survey.  New York: Thomas Y. Crowell, 1952, reprint ed., New York: Apollo Editions, 1971.

8.      The Music of Peru: Aboriginal and Viceroyal Epochs. Washington, D.C.: Organization of American States, 1960.

9.      La música colonial en Colombia. Cali: Instituto Popular de Cultura, Departamento de Investigaciones Folcóricos, 1964.

10.   La música en la Catedral de Sevilla, 1478-1606: Documentos para su estudio. Los Angeles, CA: Raul Espinosa, 1954; 2nd ed., Madrid: Sociedad Española de Musicología, 1986.

11.   La música en las catedrales españolas del Siglo de Oro. Edited by Ismael Fernández de la Cuesta; translated by María Dolores Cebrián de Miguel and Amalia Correa Liró. Madrid: Alianza Editorial, 1993 (revised Spanish version of Spanish Cathedral Music in the Golden Age).

12.   Philosophies of American Music History. Washington, D.C.: Library of Congress, 1970.

13.   Portugaliae Musica: A Bibliographical Essay. Lima: Pacific Press, 1967.

14.   Protestant Church Music in America: A Short Survey of Men and Movements from 1564 to the Present. New York: W. W. Norton, 1966; 2nd ed., 1971.

15.   Renaissance and Baroque Musical Sources in the Americas. Washington, D.C.: General Secretariat, Organization of American States, 1970.

16.   South American National Anthems and Other Area Studies/Mexico after the Mexican Anthem. Lima: Pacific Press, 2009.

17.   Spanish Cathedral Music in the Golden Age. Berkeley, CA: University of California Press, 1961; reprint ed. Westport, Connecticut: Greenwood Press, 1976.

18.   Spanish Music in the Age of Columbus. The Hague: Martinus Nijhoff, 1960, reprint ed., 1964.

 

C. Other Books and Monographs

1.      Directory of UCLA Ethnomusicological Graduates. Los Angeles, CA: Program in Ethnomusicology, Department of Music, Univerity of California, Los Angeles, 1977.

2.      Juan Sebastian Bach: Su ambiente y su obra. Lima: Pacific Press, 1959.

3.      Music Before the Classic Era: An Introductory Guide. London: Macmillan, and New York: St. Martin’s Press, 1955; reprint ed. 1958, 1962; reprint ed., Westport, Connecticut: Greenwood Press, 1973.

4.      Los oratorios de Haendel. Lima: Pacific Press, 1959.

5.      Patterns of Protestant Church Music. Durham, NC: Duke University Press, 1953.

6.      Shakespeare’s Religious Frontier. The Hague: Martinus Nijhoff, 1958; reprint ed., Folcroft, PA: Folcroft Library Edition, 1974.

 

D. Music in the Americas and the Iberian Peninsula: Articles and Book Chapters

1.       “Acentos folklóricos en la música mexicana temprana.” Heterofonía 10, no. 2 (March-April 1977): 5-7.

2.      “The Afro-American Musical Legacy to 1800.” The Musical Quarterly 53, no. 4 (October 1968): 475-503.

3.      “American Awareness of the Other Americas to 1900.” In Essays on Music for Charles Warren Fox. Edited by Jerald C. Graue, 181-205. Rochester, NY: Eastman School of Music Press, 1979.

4.      “American Musical Scholarship: Parker to Thayer.” 19th-Century Music 1, no. 3 (March 1978): 191-210.

5.      “American Tribal Music at Contact.” IAMR 14, no. 1 (Spring-Summer 1994): 1-56.

6.      America’s First Black Music Historian.” Journal of the American Musicological Society 26, no. 3 (Autumn 1973): 383-404.

7.      “The Americas in European Music Encyclopedias: Part I.” IAMR 3, no. 2 (Spring-Summer 1981): 159-207.

8.      “The Americas in European Music Encyclopedias: Part II,” IAMR 5 no. 1 (Fall 1982): 109-16.

9.      “Ancient Peruvian Instruments.” Galpin Society Journal 12 (June 1959): 17-43.

10.   “Andrés Pardo Tovar (1911‑1972): In Memoriam.” Inter-American Institute for Musical Research Yearbook 8 (1972): 133-37.

11.   “Antonio Soler: A 250th-Anniversary Review Article.” IAMR 2, no. 1 (Fall 1979): 45-57.

12.   “A propos de la Sarabande.” Revue de Musicologie 47, no. 123 (July 1961): 113-15.

13.    “Archive to Print: Problems and Premises.” Inter-American Music Bulletin 36 (July 1963): 1-4.

14.   “El archivo musical de la catedral de Bogotá.” Boletin de Historia y Antigüedades (Academia Colombiana de la Historia) 14, no. 718 (July-September 1977): 499-502.

15.   “Arqueología musical: Música zapoteca del siglo XVI.” Excélsior Magazine Dominical (Mexico City), December 10, 1967, 2-3.

16.   “Atahuallpa’s Realm: The Quest for Musical Identity in Ecuador.” In Music and Performance and Society: Essays in Honor of Roland Jackson. Edited by Malcolm Cole and John Koegel, 425-36. Warren, MI: Harmonie Park Press, 1997.

17.   “Aztec Organology.” IAMR 9, no. 2 (Spring-Summer 1988): 1-19.

18.   “Baroque Music in Oaxaca Cathedral.” IAMR 1, no. 2 (Spring-Summer 1979): 179-203.

19.   “Black Dance Types in Spanish Dominions, 1540-1820.” IAMR 9, no. 2 (Spring-Summer 1988): 105-13.

20.   “Black Music Precursors: The Writings of Arthur Randolph LaBrew.” IAMR 1, no. 2 (Spring-Summer 1979): 229-34.

21.   “Blick in eine wenig bekannte Welt: Musik in Bogotá.” Musica: Zweimonatsschrift für alle Gebiete des Musiklebens, March 1962, 92-93.

22.   “The Bogotá Music Archive.” Journal of the American Musicological Society 15, no. 3 (Autumn 1962): 292-315.

23.   “Bradbury in Europe.” The Hymn 29, no. 3 (July 1978): 147-51.

24.   “Brahms’s Reception in Latin America, Mexico City: 1884-1910.” IAMR 16, no. 1 (Summer-Fall 1997): 63-64.

25.   “The Brazilian Bishop Who Launched the First Piano Publication (1732).” IAMR 1, no. 2 (Spring-Summer 1979): 211-15.

26.   “Brazilian Music Publishers.” IAMR 9, no. 2 (Spring-Summer 1988): 91-104.

27.   “Brazilian Report of Villa-Lobos’s First Los Angeles Visit.” IAMR 9, no. 1 (Fall-Winter 1987): 9-10.

28.   California Music, 1806-1824: Russian Reportage.” IAMR 4, no. 2 (Spring-Summer 1982): 59-64.

29.   California Pioneer Sheet Music Publishers and Publications.” IAMR 8, no. 1 (Fall-Winter 1986): 1-71.

30.   California Sheet Music Collection, 1104 (UCLA Research Library, Special Collections).” IAMR 8, no. 1 (Fall-Winter 1986): 73-130.

31.   Cantilenas vulgares puestas en música por varios españoles. Lima: Pacific Press, 1958.

32.   “Carleton Sprague Smith on his 75th Birthday.” IAMR 3, no. 1 (Fall 1980): 1-2.

33.   “Carlos Chávez, visto por la prensa de los Estados Unidos.” Heterofonía 14, no. 73 (April-June 1981): 3-11.

34.   “Carlos Chávez’s Los Angeles Connection.” IAMR 3, no. 2 (Fall 1981): 133-50.

35.   “Carlos Chávez’s United States Press Coverage.” IAMR 3, no. 2 (Spring-Summer 1981): 125-31.

36.   “El ‘Carmen’ reivindicado.” Heterofonía 7, no. 3 (May-June 1974): 17-20.

37.   “Carreño’s 1875 California Appearances.” IAMR 5, no. 2 (Spring-Summer 1983): 9-15.

38.   “Carta a la redacción.” Heterofonía 7, no. 2 (March-April 1974): 4-5; 7, no. 4 (July-August 1974): 2.

39.   “Catalogue of Newberry Library Mexican Choirbooks (Case MS VM 2147 C36).” IAMR 9, no. 1 (Fall-Winter 1987): 65-73.

40.   “Cathedral Music in Montreal: Historical Precedents, Part I.” IAMR 16, no. 2 (Spring-Summer 2000): 25-32.

41.   “Cathedral Organs in the Andes.” The Organ 42, no. 165 (1962): 42-47.

42.   “Cathedral Organs in the Capitals of Argentina, Brazil and Chile.” The Organ 41, no. 161 (1961): 48-52.

43.   “Cervantes’s Sensitivity to the Music of His Epoch: Songs, Dances, and Instruments (for Miguel Querol Gavaldá’s 75th Anniversary).” IAMR 8, no. 2 (Spring-Summer 1987): 7-12.

44.   “Charles Louis Seeger, Jr. (1886-1979): Composer.” IAMR 16, no. 1 (Summer-Fall 1997): 43-56.

45.   “Chilean Music in the Santa Cruz Epoch.” Inter-American Music Bulletin 67 (September 1968): 1-18.

46.   “Chopin in Mexico.” IAMR 4, no. 2 (Spring-Summer 1982): 31-46.

47.   “Christmas Music in Mexico.” Etude Music Magazine, December 1950, 18-19.

48.   “El clemento negro en los albores de la música del Nuevo Mundo.” Heterofonía 11, no. 2 (March-April 1978): 4-10.

49.   “Colonial Music in Bogotá.” Inter-American Music Bulletin 27 (January 1962): 5-6.

50.   “Colonial Music in Colombia.” The Americas: Quarterly Review of Inter-American Cultural History 19, no. 2 (October 1962): 121-36.

51.   “Colonial Treasure in the Puebla Cathedral Music Archive.” IAMR 15, no. 1 (1996): 39-51.

52.   “Communication [Regarding the Sarabande].” Journal of the American Musicological Society 16, no. 1 (Spring 1963): 110-12.

53.   “Compositores de la época colonial, José de Loaysa y Agurto.” Heterofonía 7, no. 2 (March-April 1974): 13-15.

54.   “Compositores de la época colonial, Antonio de Salazar.” Heterofonía 7, no. 4 (July-August 1974): 4-6.

55.   “Comienzos de la ópera en el Nuevo Mundo.” Boletín Interamericano de Música 40 (July 1962): 3-19.

56.   “Los contactos de Haydn con el mundo ibérico.” Revista Musica Chilena 36, no. 157 (1982): 3-39.

57.   “Cristóbal de Morales (ca. 1500-53): A Fourth Centenary Biography.” Journal of the American Musicological Society 6, no. 1 (Spring 1953): 3-42.

58.   “Cristóbal de Morales (ca 1500-1553): Light of Spain in Music.” IAMR 13, no. 2 (Spring-Summer 1993): 1-105.

59.   Cuzco Cathedral: 1546-1750.” IAMR 2, no. 2 (Spring-Summer 1980): 1-25.

60.   “Dionisio Preciado: Biobibliography.” IAMR 3, no. 2 (Spring-Summer 1981): 212-15.

61.   “Directores nativos de México en Texas.” Heterofonía 10, no. 57 (November-December 1977): 4-5.

62.   “Dissertations: Latin American Topics.” IAMR 11, no. 2 (Spring-Summer 1991): 123-26.

63.   “The Distinguished Maestro of New Spain: Juan Gutiérrez de Padilla.” Hispanic-American Historical Review 35, no. 3 (1955): 363-73.

64.   “The Earliest Polyphonic Imprint in South America.” Notes: Quarterly Journal of the Music Library Association 23, no. 3 (1967): 453-54.

65.   “Early Peruvian Folk Music.” Journal of American Folklore 73, no. 288 (April-June 1960): 112-32.

66.   “Early Peruvian Music.” Inter-American Music Bulletin 20 (November 1960): 6.

67.   “The Eighteenth-Century Hymn Tune.” In English Hymnology in the Eighteenth Century: Papers Read at a Clark Library Seminar, 5 March 1977. Los Angeles, CA: William Andrews Clark Memorial Library, University of California, Los Angeles, 1980, pp. 21-66.

68.   “The Eighteenth-Century Hymn Tune,” IAMR 2, no. 1 (Fall 1979): 1-33.

69.   “Eleanor Hague (1875-1954): Pioneer Latin Americanist.” IAMR 14, no. 1 (Spring-Summer 1994): 57-66; reprinted in “Eleanor Hague (1875-1954): Pioneer Latin Americanist.” Selected Reports in Ethnomusicology 10 (1994): 129-38.

70.   “Eleanor Russell (1931-1993).” IAMR 14, no. 1 (Spring-Summer 1994): 167-68.

71.   “El elemento negro en los albores de la música del Nuevo Mundo.” Heterofonía 11, no. 2 (March-April 1978): 4-10.

72.   “English Sources for Indian Music until 1882.” Ethnomusicology 17, no. 3 (September 1973): 399-442.

73.   “Enrique Pinilla (1927-1989).” IAMR 13, no. 1 (Fall-Winter 1992): 126-27.

74.   “Esperanza Pulido Silva on the 10th Anniversary of Heterofonía.” IAMR 1, no. 1 (Fall 1978): 3-4.

75.   “Espectáculos musicales en la España del siglo XVII.” Revista Musical Chilena 27, nos. 121-122 (January-June 1973): 3-44.

76.   “Esperanza Pulido Silva (1901-1991).” IAMR 12, no. 1 (Fall-Winter 1991): 139.

77.   Estado actual de las investigaciones musicológicas en latinoamérica.” Revista de Musicología 20, no. 1 (January-June 1997): 103-14.

78.   “Esteban Salas y Castro (1725-1803): Cuba’s Consummate Cathedral Musician.” IAMR 15, no. 2 (Summer-Fall 1996): 73-102.

79.   “Esteban Salas y Castro, primer compositor nativo de Cuba.” Heterofonía 10, no. 4 (July-August 1977): 4-8.

80.   “Estudio biográfico estilístico de Tomás Luis de Victoria.” Revista Musical Chilena 20, no. 95 (1966): 9-25.

81.   “Ethnological Impulses in the Baroque Villancico.” IAMR 14, no. 1 (Spring-Summer 1994): 67-106.

82.   “European Music in Sixteenth-Century Guatemala.” The Musical Quarterly 50, no. 3 (July 1964): 341-52.

83.   “The Expanding Latin American Musicological Horizon.” In Encomium musicae: Essays in Memory of Robert J. Snow. Edited by David E. Crawford and Grayson Wagstaff, 5-25. Hillsdale, NY: Pendragon Press, 2002.

84.   “Festival Mexicano-Norteamericano de las Artes en Chicago.” Heterofonía 12, no. 67 (September-November 1979): 6-8.

85.   “Filosofías de la historia de la música.” Heterofonía 3, no. 18 (May-June 1971): 12-16; 3, no. 19 (July-August 1971): 15-19.

86.   “The First Black Published Composer.” IAMR 5, no. 1 (Fall 1982): 79-103.

87.   “The First Dated Mention of the Sarabande.” Journal of the American Musicological Society 5, no. 1 (Spring 1952): 29-31.

88.   “The First Native American (American Indian) Published Composer.” IAMR 4, no. 2 (Spring-Summer 1982): 79-84.

89.   “The First New World Composers: Fresh Data from Peninsular Archives.” Journal of the American Musicological Society 23, no. 1 (Spring 1970): 95-106.

90.   “The First New World Opera.” Americas 16, no. 2 (January 1964): 33-34.

91.   “Francisco Correa de Arauxo: New Light on His Career.” Revista Musical Chilena 22, no. 103 (January-March 1968): 7-42.

92.   “Francisco Curt Lange on His 75th Birthday.” IAMR 1, no. 1 (Fall 1978): 1.

93.   “Francisco Guerrero (1528-1599): Seville’s Sixteenth-Century Cynosure.” IAMR 13, no. 1 (Fall-Winter 1992): 21-98.

94.   “Francisco López Capillas.” Heterofonía 6, no. 4 (July-August 1973): 7-9.

95.   “Franz Liszt en Madrid y Lisboa (1844-1845).” Heterofonía 13, no. 68 (1980): 6-17.

96.   “From Archive to Print: Problems and Premises.” Inter-American Music Bulletin 36 (July 1963): 1-4.

97.   “Gilbert Chase (1906-1992).” IAMR 12, no. 2 (Spring-Summer 1992): 121-22.

98.   “Gilbert Chase on his 75th Birthday.” IAMR 3, no. 2 (Spring-Summer 1981): 119.

99.   “Ginastera’s Arrangement of an Organ Toccata by Domenico Zipoli: Some Recollections about the Career of a Master Composer.” Latin American Music Review 6, no. 1 (Spring‑Summer 1985): 94-96.

100.          “Gottschalk en Buenos Aires.” Boletín Interamericano de Música 74 (November 1969): 3-12.

101.          “Gottschalk en el oeste sudamericano.” Boletín Interamericano de Música 74 (November 1969): 13-28.

102.          “Gottschalk in Buenos Aires.” Inter-American Music Bulletin 79 (November 1969): 1-7.

103.          “Gottschalk in Western South America.” Inter-American Music Bulletin 79 (November 1969): 7-16.

104.          “Gottschalk Programs Wagner.” IAMR 5, no. 2 (Spring-Summer 1983): 89-94.

105.          Guatemala Cathedral to 1803.” IAMR 2, no. 2 (Spring-Summer 1980): 27-71.

106.          “Guillermo Espinosa.” IAMR 4, no. 2 (Spring-Summer 1982): 1-2.

107.          “Haydn Anniversary Literature in Spanish.” IAMR 4, no. 2 (Spring-Summer 1982): 77-78.

108.          “Haydn’s Iberian World Connections.” IAMR 4, no. 2 (Spring-Summer 1982): 3-30.

109.          “Hector Villa-Lobos’s Los Angeles Connection: A Centennial Tribute.” IAMR 9, no. 1 (Fall-Winter 1987): 1-8.

110.          “Hernando Franco, el más notable compositor renacentista en México.” Heterofonía 2, no. 11 (March-April 1970): 4-11.

111.          “Higinio Anglés (1889-1969).” Journal of the American Musicological Society 23, no. 3 (Autumn 1970): 541-42.

112.          “Historic Latin Composers of African Descent: A Keynote Address.” Center for Black Music Research Digest 10, no. 2 (Fall 1997): 6-8.

113.          “Homenaje a Esperanza Pulido Silva, fundadora de Heterofonía.” Heterofonía nos. 120-21 (January-December 1999): 96-98.

114.          “Homenaje a José Bernardo Alcedo.” Boletín de la Biblioteca Nacional (Lima) 26, nos. 61-62 (1972): 13-37.

115.          “Homenaje a José Bemardo Alcedo (1788-1878).” Boletín interamericano de música 80 (March-June 1971): 3-24.

116.          “Iberian Musical Outreach before Encounter with the New World.” IAMR 8, no. 2 (Spring-Summer 1987): 13-112.

117.          “Ignacio Jerusalem (1707-1769): Italian Parvenu in Eighteenth-Century Mexico.” IAMR 16, no. 1 (Summer-Fall 1997): 57-61.

118.          “Ignacy Jan Paderewski’s California Connections.” In Altes im Neuen: Festschrift Theodor Göllner zum 65. Geburtstag. Edited by Bernard Edelmann and Manfred Hermann Schmod, 331-43. Tutzing: Hans Schneider, 1995.

119.          “Ira D. Sankey and the Growth of Gospel Hymnody.” Religion in Life, Winter 1950, 67-82.

120.          “Isabel Aretz: Composer, A Birthday Tribute.” IAMR 5, no. 2 (Spring-Summer 1983): 3-7.

121.          “Jaime Nunó after the Mexican National Anthem.” IAMR 2, no. 2 (Spring-Summer 1980): 103-16.

122.          “Jaime Nunó después de 1854.” Heterofonía 11, no. 1(January-February 1978): 3-13, 23-26.

123.          “Jeremiah Clarke Hymn Tunes in Colonial America.” The Hymn 29, no. 1 (January 1978): 15-18.

124.          “Jeremiah Clarke Hymn Tunes in Colonial America.” IAMR 2, no. 1 (Fall 1979): 35-39.

125.          “John Cage on His 70th Birthday: West Coast Background.” IAMR 5, no. 1 (Fall 1982): 3-17.

126.          “José Antonio Calcaño Calcaño (1900-1978).” IAMR 2, no. 2 (Spring-Summer 1980): 141-45.

127.          “José Augusto Alegría: Biobibliography.” IAMR 3, no. 2 (Spring-Summer 1981): 216-19.

128.          “José López-Calo, S.J.: Biobibliography.” IAMR 11, no. 2 (Spring-Summer 1991): 103-22.

129.          “José Manuel y Matheo Tolles (Tolis) de la Roca.” Heterofonía 5, no. 30 (May-June 1973): 16-18.

130.          “Josquin in the Music of Spain and Portugal.” In Josquin des Prez: Proceedings of the International Josquin Festival Conference. Edited by Edward E. Lowinsky and Bonnie J. Blackburn. London: Oxford University Press, 1977.

131.          “Landmark Contributions to Cristóbal de Morales Scholarship, 1954–2003.” In Cristóbal de Morales: Sources, Influences, Reception. Edited by Owen Rees and Bernadette Nelson, xxxix-lii. Woodbridge; Boydell Press, 2007.

132.          “The Last Musicological Frontier: Cathedral Music in the Colonial Americas.” IAMR 3, no. 1 (Fall 1980): 49-54.

133.          Latin America in ‘Ilustración Musical Hispano-Americana.’” IAMR 3, no. 2 (Spring-Summer 1981): 151-58.

134.          Latin America.” In Music in the Modern Age. Edited by Frederick W. Sternfeld, 407-32. London: Weidenfeld and Nicolson, 1973.

135.          Latin America. In The New Oxford Companion to Music. Edited by Dennis Arnold, 2: 1045-50. London: Oxford University Press, 1983.

136.          “Latin American Archives.” Fontes artis musicae 9, no. 1 (January-June 1962): 19-21.

137.          “The Latin American Music Educator’s Best Ally: The Latin American Musicologist.” IAMR 2, no. 2 (Spring-Summer 1980): 117-22.

138.          “Latin American Music Periodicals, IAMR 13, no. 2 (Spring-Summer 1993): 145-48.

139.          “Latin American Music: The Political Frontiers.” In Musical Cultures of Latin America: Global Effects, Past and Present. Edited by Steven Loza, 245-48. Los Angeles, CA: Department of Ethnomusicology and Systematic Musicology, University of California, Los Angeles, 2003.

140.          “The Latin Tinge, 1800-1900.” IAMR 2, no. 2 (Spring-Summer 1980): 73-101.

141.          “Lázaro del Álamo: Primer compositor europeo en México.” Heterofonía 2, no. 12 (May-June 1970), 7-11.

142.          “Liszt at Madrid and Lisbon: 1844-1845.” Musical Quarterly 65, no. 4 (October 1979): 493-512.

143.          “Liszt at Barcelona.” Journal of the American Liszt Society 12 (1982): 6-13.

144.          “Liszt en México.” Heterofonía 19, no. 4 (October-December 1986): 6-16.

145.          “Liszt en la costa oriental de España.” Heterofonía 12, no. 64 (1979): 13-17.

146.          “Liszt in Andalusia.” Journal of the American Liszt Society 26 (1989): 33-36.

147.          “Liszt in Mexico, 1840-1911.” IAMR 7, no. 2 (Spring-Summer 1986): 23-32.

148.          “Liszt in the Iberian Peninsula, 1844-1845.” IAMR 7, no. 2 (Spring-Summer 1986): 3-22.

149.          “Liszt on the East Coast of Spain.” Journal of the American Liszt Society 14 (December 1978): 11-17.

150.          “Liszt’s ‘Favorite’ California Pupil: Hugo Mansfeldt (1844-1932).” IAMR 7, no. 2 (Spring-Summer 1986): 33-78.

151.          “Liszt’s ‘Favorite’ California Pupil: Hugo Mansfeldt (1844-1932), Part I.” Journal of the American Liszt Society 21 (January-June 1987): 42-58.

152.          “Liszt’s ‘Favorite’ California Pupil: Hugo Mansfeldt (1844-1932), Part II.” Journal of the American Liszt Society 22 (July-December 1987): 27-45.

153.          “Local Music Research in Los Angeles Area Libraries, Part I.” IAMR 10, no. 1 (Fall-Winter 1988): 19-38.

154.          “Luis Felipe Ramón y Rivera (1913-1993).” IAMR 14, no. 1 (Spring-Summer 1994): 163-64.

155.          “Luiz Heitor Corrêa de Azevedo (1905-1992).” IAMR 13, no. 2 (Spring-Summer 1993): 166-67.

156.          “Macário Santiago Kastner (1908-1992).” IAMR 13, no. 2 (Spring-Summer 1993): 165.

157.          “Manuel de Zumaya en Oaxaca.” Heterofonía 12, no. 64 (January-February 1979): 3-9, 45.

158.          “Manuel Enríquez (1926-1994).” IAMR 14, no. 1 (Spring-Summer 1994): 171-72.

159.          “Manuscritos de música colonial mexicana en el extranjero.” Heterofonía 5, no. 25 (July-August 1972): 4-11; 5, no. 26 (September-October 1972): 4-9.

160.          “Marianna Martines = Martínez (1744-1812): Pupil of Haydn and Friend of Mozart.” IAMR 11, no. 1 (Fall-Winter 1990): 25-44.

161.          “Martín de Montesdoca: Spain’s First Publisher of Sacred Polyphony (1550’s), Chantre in Guatemala Cathedral (1570’s).” IAMR 12, no. 2 (Spring-Summer 1992): 5-16.

162.          “El más memorable de los maestros indígenas.” Heterofonía 11, no. 4 (July-August 1978): 3-9.

163.          “Mexican Baroque Polyphony in Foreign Libraries,” IAMR 9, no. 1 (Fall-Winter 1987): 55-64.

164.          “Mexican Colonial Music Manuscripts Abroad.” Notes: Quarterly Journal of the Music Library Association 29, no. 2 (December 1972): 203-14.

165.          “Mexican Music Dissertations, 1975-1977.” IAMR 1, no. 1 (Fall 1978): 109-12.

166.          “Mexican Musical Panorama, 1949.” Southwestern Musician, April 1949, 9, 40-44, 47.

167.          “Mexican Musicology, 1980.” IAMR 3, no. 1 (Fall 1980): 65-87.

168.          “The Mexican Origins of the Sarabande.” Inter-American Music Bulletin 33 (January 1963): 7.

169.          Mexico City Cathedral Music, 1600-1750.” The Americas: Quarterly Review of Inter-American Cultural History 21, no. 2 (October 1964): 111-35.

170.          Mexico City Cathedral Music, 1600-1750.” IAMR 9, no. 1 (Fall-Winter 1987): 75-114.

171.          Mexico City Cathedral: The Founding Century.” IAMR 1, no. 2 (Spring-Summer 1979): 131-78.

172.          Mexico: Land of Musical Charm.” Etude Music Magazine, February 1949, 67-68.

173.          “Miguel Querol Gavaldá (1912-2002).” Revista Musical Chilena 57, no. 199 (January-June 2003): 112-13.

174.          “Miguel Querol de Gavaldá on His 75th Anniversary.” IAMR 8, no. 2 (Spring-Summer 1987): 1-6.

175.          “Minority Coverage in Mainstream Musicological Journals, 1915-1995.” IAMR 16, no. 1 (Summer-Fall 1997): 29-41.

176.          “Morales’s Voice in the Viceroyalties.” In Cristóbal de Morales: Sources, Influences, Reception. Edited by Owen Rees and Bernadette Nelson, 207-12. Woodbridge: Boydell Press, 2007.

177.          “Muses and Lexicons.” IAMR 1, no. 2 (Spring-Summer 1979): 117-30.

178.          “Music from an Unstrung Violin.” Etude Music Magazine, March 1952, 17, 64.

179.          “Music in Colonial Mexico.” Inter-American Music Bulletin 39 (January 1964): 1-3.

180.          “Music in Quito: Four Centuries.” Hispanic-American Historical Review 43, no. 2 (May 1963): 247-66.

181.          “Music in Southern California: A Tale of Two Cities.” IAMR 10, no. 1 (Fall-Winter 1988): 39-111.

182.          “Music in the San Juan, Puerto Rico, Cathedral to 1900.” IAMR 1, no. 1 (Fall 1978): 73-95.

183.          “Music Instruction in Inca Land.” Journal of Research in Music Education 8, no. 2 (Fall 1960): 110-23.

184.          “The Music of Colonial Spanish America; A Note on the Music of Colonial Brazil.” In The Cambridge History of Latin America. Edited by Leslie Bethel, 771-98, 799-803, 893-94. Cambridge: Cambridge University Press, 1984.

185.          “Music Research in South American Libraries.” Inter-American Music Bulletin 18 (July 1960): 1-4.

186.          “Music Research in Spanish Libraries.” Notes: Quarterly Journal of the Music Library Association 10, no. 1 (December 1952): 49-57.

187.          “The Music that George Washington Knew: Neglected Phases.” IAMR 5, no. 1 (Fall 1982): 19-77.

188.          “La música chilena en la época de Santa Cruz.” Boletin Interamericano de Música 67 (September 1968): 3-16.

189.          “La música colonial en Colombia.” Revista Musical Chilena 16, nos. 81-82 (July-December 1962): 153-71.

190.           “La música en la Catedral de Caracas hasta 1836.” Revista Musical Chilena 33, no. 145 (January-March 1979): 48-64.

191.          “La música en la Catedral de México: 1600-1750.” Revista Musical Chilena 19, no. 92 (April-June 1965): 11-31.

192.          “La música en la Catedral de México: El siglo de fundación.” Heterofonía 21, nos. 100-101 (January-December 1989): 10-24.

193.          “La música en el México de los siglos XVI a XVII.” In La música de México. Edited by Julio Estrada, II: 7-74. Mexico City: Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 1986.

194.          “Música en Quito.” Revista Musical Chilena 16, nos. 81-82 (July-December 1962): 172-94.

195.          “Música en Quito.” ARNAHIS: Órgano del Archivo Nacional de Historia 11, no. 17 (August 10, 1968): 7-28; reprint ed. Quito: Banco Central del Ecuador, 1989.

196.          “La música española.” In Introducción a la cultura hispánica. Edited by P. E. Russell, 316-46. Barcelona: Editorial Critica, 1982.

197.           “Música secular en Jamaica: 1688-1822.” Revista Musical de Venezuela 4 (1983): 143-51.

198.          “Musical Life in Caracas Cathedral to 1836.” IAMR 1, no. 1 (Fall 1978): 29-71.

199.          “Musical Moments in the Career of Manuel de Falla’s Favorite Friend Federico García Lorca.” IAMR 17, nos. 1-2 (Summer 2007): 265-76.

200.          “Musical Remembrances of Columbus’s Voyages.” IAMR 15, no. 2 (Summer-Fall 1996): 1-71.

201.          “Musical Silhouettes Drawn by José Martí (1853-1895).” IAMR 14, no. 2 (Winter-Spring 1995): 21-37.

202.          “Musical Tributes to Attributed Apparitions of the Virgin in Spain and Mexico.” In Pure Gold: Golden Age Sacred Music in the Iberian World—A Homage to Bruno Turner. Edited by Tess Knighton and Bernadette Nelson, 354-81. Kassel: Edition Reichenberger, 2011.

203.          “Musicología mexicana, 1980.” Heterofonía 13, no. 71 (October-December 1980): 2-12.

204.          “Musikforschung in Südamerika.” Musica: Monatsschrift für alle Gebiete des Musiklebens 14, no. 11 (November 1960): 752-54.

205.          “National Library Publications in Brazil, Peru, and Venezuela.” IAMR 3, no. 1 (Fall 1980): 39-48.

206.          “A Neglected Johannes de Garlandia Manuscript (1486) in South America.” Notes: Quarterly Journal of the Music Library Association 24, no. 1 (September 1967): 9-17.

207.          “A Neglected Mexican Guitar Manual of 1776.” IAMR 1, no. 2 (Spring-Summer 1979): 205-10.

208.          “New Light on Two Maximum Mexican Composers: Coloquio Internacional Centenario de Carlos Chávez y Silvestre Revueltas (1899-1999).” IAMR (Spring-Summer 2000): 67-70.

209.          “A Newly Discovered Mexican Sixteenth-Century Musical Imprint.” Inter-American Institute for Musical Research Yearbook 2 (1966): 91-94.

210.          “Nicholas Slonimsky: Centenarian Lexicographer and Musicologist.” IAMR 14, no. 1 (Spring-Summer 1994): 149-155.

211.          “Nino Marcelli: Founder of the San Diego Symphony Orchestra.” IAMR 10, no. 1 (Fall-Winter 1988): 113-23.

212.          “Nino Marcelli: Fundador de la Orquesta Sinfónica de San Diego.” Revista Musical Chilena 41 (January-June 1987): 26-43.

213.          “Notas al artículo ‘Franz Liszt en Madrid y Lisboa.’” Heterofonía 13, no. 69 (1980): 4-8.

214.          “Notas de la Biblioteca Musical, Marzo 1878.” Heterofonía 11, no. 4 (July-August 1978): 33-35.

215.          “Nuevos recursos para el estudio de la música latinoamericana.” Heterofonía 10, no. 1 (January-February 1977): 15-24.

216.          “El obispo benedictino brasileño a quien se debe la primera publicación pianística.” Heterofonía 13, no. 69 (1980): 9-13.

217.          “La obra de la compositora Isabel Aretz.” Heterofonía 18, no. 3 (1985): 55-63.

218.          “Octava Conferencia Interamericana de Educación Musical, 30 de Septiembre al 4 de Octubre de 1991.” IAMR 12, no. 1 (Fall-Winter 1991): 129-33.

219.          “Opera Beginnings in the New World.” The Musical Quarterly 45, no. 1 (January 1959): 8-25.

220.          Oportunidades para estudiar música en los Estados Unidos. Lima: Pacific Press, 1958.

221.          “Paderewski’s Paso Robles Property.” IAMR 14, no. 1 (Spring-Summer 1994): 131-39.

222.          “Paul Henry Lang (1901-1991).” IAMR 12, no. 2 (Spring-Summer 1992): 123-24.

223.          “Pedro Cerone (1566-1625): Imposter or Defender of the Faith.” IAMR 16, no. 1 (Summer-Fall 1997): 1-27.

224.          “Pedro de Escobar: Earliest Portuguese Composer in New World Colonial Music Manuscripts, [Part I].” IAMR 11, no. 1 (Fall-Winter 1990): 3-24.

225.          “Pedro de Escobar: Earliest Portuguese Composer in New World Colonial Music Manuscripts, Part II: Pedro de Escobar among Spanish Musicologists.” IAMR 15, no. 1 (Winter-Spring 1996): 53-146.

226.          “Periódicos musicais brasileiros: Sua historia.” Revista Brasileira de Musica 19 (1991): 1-13.

227.          Peru in International Music Encyclopedias: A Lecture Given September 11, 1973, at the Instituto Cultural Peruano Norteamericano, Lima. Lima: Pacific Press, 1973; reprinted as “Peru in International Music Encyclopedias,” IAMR 1, no. 2 (Spring-Summer 1979): 222-28.

228.          “Peter Crossley-Holland: Composer.” Selected Reports in Ethnomusicology 4 (1983): 1-10.

229.          “Polifonistas españoles del renacimiento en enciclopedias internacionales.” Heterofonía 9, no. 2 (March-April 1976): 3-7.

230.          Portugal (Current Chronicle).” Musical Quarterly 53, no. 4 (October 1967): 572-76.

231.          “Portuguese Music: A Historical Résumé.” The Journal of the American Portuguese Cultural Society 4, nos. 3-4 (Summer-Fall 1970): 4-12.

232.          Portuguese Music and Musicians Abroad, to 1650: A Paper Read on September 12, 1966, at the Sixth International Colloquium of Luso-Brazilian Studies. Lima: Pacific Press, 1966; reprinted in “Portuguese Music and Musicians Abroad, to 1650.” In Portugal and Brazil in Transition. Edited by Raymond Sayers, 310-18. Madison, WI: University of Wisconsin Press, 1968).

233.          “Portuguese Musical Outreach: Five Centuries.” In Musicology and Sister Disciplines: Past, Present, Future. Edited by David Greer, Ian Rumbold, and Jonathan King, 476-79. New York: Oxford University Press, 2000

234.          “Portuguese Renaissance Musicians in Foreign Encyclopedias.” IAMR 5, no. 1 (Fall 1982): 105-7.

235.          “La primera ópera del Nuevo Mundo.” Americas 16, no. 2 (February 1964): 33-35.

236.          “Primeros compositores en el Nuevo Mundo.” Heterofonía 3, no. 15 (September-October 1970): 4-12.

237.          “Primeros compositores nativos de México.” Heterofonía 10, no. 54 (May-June 1977): 4-5.

238.          “Protestant Music in America.” In Protestant Church Music: A History. Edited by Friedrich Blume, 637-90. New York: W. W. Norton, 1974.

239.          “Proyectos primordiales para la musicología Mexicana.” Heterofonía 19, no. 1 (January-March 1987): 36-45.

240.          Puebla Chapelmasters and Organists: Sixteenth and Seventeenth Centuries, Part I.” IAMR 5, no. 2 (Spring-Summer 1983): 21-62.

241.          Puebla Chapelmasters and Organists: Sixteenth and Seventeenth Centuries, Part II.” IAMR 6, no. 1 (Fall 1984): 29-139.

242.          Quito Cathedral: Four Centuries.” IAMR 3, no. 1 (Fall 1980): 19-38.

243.          “Ram6n de Ia Plaza: Ensayos sobre el arte en Venezuela.” Heterofonía 11, no. 2 (March-April 1978): 34-36.

244.          “Recent Contributions to Iberian Musical Scholarship in the United States.” IAMR 11, no. 1 (Fall-Winter 1990): 137-51.

245.          “Reciente investigación de música mexicana (1975-1977).” Heterofonía 11, no. 63 (November-December 1978): 2-6.

246.          “Recientes dissertaciones sobre música española, para obtención de doctorados.” Revista Musical Chilena 33, no. 145 (1979): 118-25.

247.          “Relaciones de Carlos Chávez en Los Ángeles.” Heterofonía 15, no. 76 (January-March 1982): 3-19.

248.          “Las relaciones musicales ibéricas de Haydn.” Heterofonía 19, no. 1 (January-March 1986): 5-38.

249.          “Rodolfo Holzmann (1910-1992).” IAMR 13, no. 1 (Fall-Winter 1992): 123-25.

250.          “Roger Wagner (1914-1992).” IAMR 12, no. 2 (Spring-Summer 1992): 125.

251.          “Roger Wagner: Composer, Arranger, Musicologist.” Choral Journal 33, no. 7 (1993): 13-15.

252.          “Roy Harris at UCLA: Neglected Documentation.” IAMR 2, no. 1 (Fall 1979): 59-73.

253.          “Rumbos de la investigación sobre música colonial latinoamericana.” Revista Musical Chilena 31, no. 134 (1976): 3-8.

254.          “Saint Saëns at San Francisco.” IAMR 10, no. 1 (Fall-Winter 1988): 3-17.

255.          “Samuel Martí, etnomusicólogo.” Heterofonía 11, no. 3 (May-June 1978): 3-5.

256.          “Samuel Rubio, on the Fortieth Anniversary of His Ordination.” IAMR 3, no. 1 (Fall 1980): 3-17.

257.          “Santiago de Murcia.” Heterofonía 14, no. 72 (1980): 5-16.

258.          Santiago de Murcia: A Review Article.” IAMR 3, no. 1 (Fall 1980): 89-101.

259.          Santiago, fray Francisco de (born ca. 1578 at Lisbon, died October 5, 1644 at Seville).” Anuario Musical 25 (1970): 36-47.

260.          “The Sarabande: A Dance of American Descent.” Inter-American Music Bulletin 30 (July 1962): 1-13.

261.          “Schubert in America: First Publications and Performances.” IAMR 1, no. 1 (Fall 1978): 5-28.

262.          “Secular Music in Colonial Mexico.” Inter-American Music Bulletin 39 (January 1964): 1-3.

263.          “Silvestre Revueltas (1899-1940): New Biographical Revelations.” IAMR 12, no. 1 (Fall-Winter 1991): 135-38.

264.          “Sixteenth- and Seventeenth-Century Resources in Mexico: Part I.” Fontes artis musicae 1, no. 2 (1954): 69-78.

265.          “Sixteenth- and Seventeenth-Century Resources in Mexico: Part 2.” Fontes artis musicae 2, no. 1 (1955): 10-15.

266.          “Sixteenth- through Eighteenth-Century Resources in Mexico: [Part III].” Fontes Artis musicae 25, no. 2 (1978): 156-87.

267.          “Some Portuguese Sources for Early Brazilian Music History.” Inter-American Institute for Musical Research Yearbook 4 (1968): 1-44.

268.          “Sor Juana Inés de la Cruz’s Musical Rapports: A Tercentenary Remembrance.” IAMR 15, no. 1 (Winter-Spring 1996): 1-21.

269.          “Sor Juana’s Mexico City Musical Coadjutors: José de Loaysa y Agurto (= Agurto Loaysa).” IAMR 15, no. 1 (Winter-Spring 1996): 23-37.

270.          “The South American Lyric Stage (to 1800).” Inter-American Music Bulletin 87 (July-October 1973): 1-27.

271.          “Spanish Music.” In Spain: A Companion to Spanish Studies. Edited by P. E. Russell, 543-68. London: Methuen, 1973.

272.          “Spanish Musical Resonance in the Founding Fathers’ States, Part I.” IAMR 9, no. 1 (Fall-Winter 1987): 11-53.

273.          “Spanish Polyphonists in the Age of the Armada.” IAMR 12, no. 2 (Spring-Summer 1992): 17-114.

274.          “Spanish Renaissance Polyphonists in International Encyclopedias.” IAMR 1, no. 2 (Spring-Summer 1979): 216-21.

275.          “Sub-Saharan Impact on Western Music (to 1800).” IAMR 12, no. 1 (1991): 101-18.

276.          “Los sucesores de Juan Matías (1668-1740).” Heterofonía 12, no. 65 (March-April 1979): 7-13.

277.          “Tendencias en la investigación de la música colonial.” Heterofonía 9, no. 4 (July-August 1976): 3-6.

278.          “Teresa Carreño in Nevada: Fresh Data from Primary Sources.” IAMR 11, no. 2 (Spring-Summer 1991): 25-40.

279.          “Teresa Carreño (1853–1917) Remembered on Her 150th Anniversary.” Latin American Music Review 25, no. 2 (Fall-Winter 2004): 163-79.

280.          “Therese [Teri] Abernathy Stewart (1923-1991).” IAMR 12, no. 1 (Fall-Winter 1991): 140.

281.          “The Toledo Manuscript Polyphonic Choirbooks and Some Other Lost or Little Known Flemish Sources.” Fontes artis musicae 21 (September-December 1973): 87-107.

282.          “Tomás Luis de Victoria.” Heterofonía 3, no. 13 (July-August 1970): 10-14.

283.          “Tomás Luis de Victoria: Unique Spanish Genius.” American Choral Review 8, no. 3 (1966): 1-3, 7; 8, no. 4 (1966): 1-3, 6, 18.

284.          “Tomás Luis de Victoria (ca. 1548-1611): Unique Spanish Genius.” IAMR 12, no. 1 (Fall-Winter 1991): 1-100.

285.          “Tomás Luis de Victoria.” In The New Grove High Renaissance Composers. Edited by Stanley Sadie, 291-319. New York: W. W. Norton, 1984.

286.          “Tribute: Efraín Paesky.” IAMR 12, no. 2 (Spring-Summer 1992): 3-4.

287.          “Tribute: John Beckwith.” IAMR 16, no. 2 (Spring-Summer 2000): 1-2.

288.          “Tribute to José Bernardo Alcedo (1788-1878).” Inter-American Music Bulletin 80 (March-June 1971): 1-22.

289.          “Tribute: Vasco Mariz.” IAMR 13, no. 2 (Spring-Summer 1993): 13-15.

290.          “Tributo a Higinio Anglés.” Revista Musical Chilena 24, no. 112 (July-September 1970): 6-13.

291.          “Un homenaje a Manuel M. Ponce en su centenario.” Heterofonía 15, no. 79 (October-December 1982): 10-13.

292.          “Un olvidado manual de guitarra de 1776.” Heterofonía 8, no. 44 (September-October 1975): 14-16; 8, no. 45 (November-December 1975): 5-9.

293.          “Un tributo a Esperanza Pulido.” Heterofonía 17, no. 3 (July-September 1984): 49-50.

294.          “Vicente Lusitano: New Light on His Career.” Journal of the American Musicological Society 15, no. 1 (Spring 1962): 72-77.

295.          “Visión musical norteamericana de las otras Américas hacia 1900.” Revista Musical Chilena 31, no. 137 (January-March 1977): 5-35.

296.          “A visita de Villa-Lobos a Los Angeles.” Brasiliana: Revista quadrimestral da Academia Brasileira de Música. 8 (May 2001): 18-21.

297.          “Wagner’s Latin American Outreach (to 1900).” IAMR 5, no. 2 (Spring-Summer 1983): 63-88.

298.          “Watts in America: Bicentenary Reflections on the Growth of Watts’ Reputation in America.Harvard Theological Review 41, no. 3 (July 1948): 205-11.

299.          “The Western Hemisphere: From the Beginnings to 1600.” In Music from the Middle Ages to the Renaissance. Edited by Frederick W. Sternfeld, 425-30. London: Weidenfeld and Nicolson, 1973.

300.          “William Andrews Clark, Jr., Founder of the Los Angeles Philharmonic Orchestra.” IAMR 4, no. 2 (Spring-Summer 1982): 65-75.

301.          “William Andrews Clark, Jr., Founder of the Los Angeles Philharmonic Orchestra.” In William Andrews Clark, Jr.: His Cultural Legacy. Papers Read at a Clark Library Seminar 7 November 1981. Los Angeles, CA: William Andews Clark Memorial Library, University of California, Los Angeles, 1985, pp. 29-52.

302.          “William Batchelder Bradbury in Europe 1847-1849.” IAMR 2, no. 1 (Fall 1979): 41-44.

303.          “Williams Conducts Wagner.” IAMR 5, no. 2 (Spring-Summer 1983): 95.

304.          “Written Sources for Indian Music until 1882.” Ethnomusicology 17, no. 1 (January 1973): 1-40.

305.          “Zipoli’s Transit through Dictionaries: A Tercentenary Remembrance.” IAMR 9, no. 2 (Spring-Summer 1988): 21-89.

 

E. Other Articles

1.      “Bach’s Quarrel with the Rector of St. Thomas School.” Anglican Theological Review, October 1951, 219-30.

2.      “Bach’s Religious Environment: The Well Springs of Religious Emotion That Nourished the Creative Life of Protestantism's Greatest Composer.The Journal of Religion 30, no. 4 (October 1950): 246-55.

3.      “Carols and Caroling.” Etude Music Magazine, December 1948, 739-44.

4.      “Chopin: The Last Years.” Southwestern Musician, October 1949, 4, 12-13, 29.

5.      “Dr. Watts’s ‘Flights of Fancy.’” Harvard Theological Review 42, no. 4 (October 1949): 235-53.

6.      “The English Service.” American Choral Review 6, no. 1 (October 1963): 1, 5-8; 6, no. 2 (January 1964): 5-7.

7.      “Historical Performance in 1915: Saint Saëns’s Views on the Performance of Early Music.” Performance Practice Review 2, no. 2 (1989): 26-32.

8.      “John Marbeck’s ‘Noted Booke’ of 1550.” Musical Quarterly 37, no. 2 (April 1951): 220-33.

9.      “John Merbecke and the First English Prayerbook.” Anglican Theological Review, July 1949, 142-51.

10.   “John Wesley’s First Hymnbook.” The Review of Religion, January 1950, 140-60.

11.   “John Wesley’s First Hymnbook.” In John Wesley’s First Hymn-Book, A Facsimile with Additional Material. Edited by Frank Baker and George W. Williams, v-xxiii. Charleston, SC: Dalcho Historical Society, 1964.

12.   “J. S. Bach’s ‘Appeals to Caesar.’” Crozer Quarterly, April 1951, 127-37.

13.   “Luther’s Musical Achievement.” Lutheran Quarterly, August 1951, 255-63.

14.   “The Musical Wesleys.” Religion in Life, Autumn 1947, 589-93.

15.   “Reformed Church Music.” Crozer Quarterly, January 1949, 41-47.

16.   “‘The Rivals’: Hawkings, Burney, and Boswell.” The Musical Quarterly 36, no. 1 (January 1950): 67-82.

17.   “Shakespeare’s Cardinals and Bishops.” Crozer Quarterly, April 1950, 116-38.

18.   “Shakespeare’s Interest in Harsnet’s ‘Declaration.’” Publications of the Modern Language Association 67, no. 5 (September 1952): 898-902.

19.   “The Significance of Schoenberg.” Southwestern Musician, September 1951, 13, 29.