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Thank you!

Leonard Raybon

I'm pleased to announce the release of On Music Theory, and Making Music More Welcoming for Everyone, at U-Michigan Press and part of the "Music and Social Justice" series (eds. Will Cheng / Andrew Dell'Antonio). If you're interested, Amazon has, under "Look Inside," the TOC, Acknowledgements, and part of the Intro and Index. Though the main topic is music theory, the book is aimed at a much larger audience, really anyone who is interested in music and music education in the U.S. and beyond. Here's the U-Mich synopsis: "Since its inception in the mid-twentieth century, American music theory has been framed and taught almost exclusively by white men. As a result, whiteness and maleness are woven into the fabric of the field, and BIPOC music theorists face enormous hurdles due to their racial identities. In On Music Theory, Philip Ewell brings together autobiography, music theory and history, and theory and history of race in the United States to offer a black perspective on the state of music theory and to confront the field’s white supremacist roots. Over the course of the book, Ewell undertakes a textbook analysis to unpack the mythologies of whiteness and western-ness with respect to music theory, and gives, for the first time, his perspective on the controversy surrounding the publication of volume 12 of the Journal of Schenkerian Studies. He speaks directly about the antiblackness of music theory and the antisemitism of classical music writ large and concludes by offering suggestions about how we move forward. Taking an explicitly antiracist approach to music theory, with this book Ewell begins to create a space in which those who have been marginalized in music theory can thrive."

The Sounding Spirit team is delighted to announce the spring launch of its inaugural digital library. The product of a one year NEH Humanities Collections and Reference Resources Foundations grant, the pilot digital library features songbooks and hymnals published across the US South from 1850 to 1925. A federated collection spanning holdings from four partner archives, the Sounding Spirit digital library features twenty-one books of vernacular sacred music, including words-only hymnals, gospel songbooks, spiritual collections, and shape-note tunebooks. Curated into collections that highlight places, genres, denominational affiliations, and notation styles of American sacred music, the digital library allows for rich engagement with songbooks and hymnals seminal in their respective eras, but historically underrepresented in both archival holdings and scholarship.

The Emory Center for Digital Scholarship collaborated on this pilot library with four partner archives whose holdings complement Sounding Spirit’s research focus: Pitts Theology Library at Emory University, the John Jacob Niles Center for American Music at the University of Kentucky, the Southern Baptist Theological Seminary Archives and Special Collections, and the Center for Popular Music at Middle Tennessee State University.

The Sounding Spirit team and partner archives are now at work on the next phase of the digital library, planning to digitize hundreds of volumes identified during this planning grant process. Music bibliographer Erin Fulton collaborated with project director Jesse P. Karlsberg on the “Checklist of Southern Sacred Music Imprints, 1850–1925” that will guide the next phase of the project. As a dataset, the checklist already offers rich opportunities for researching the contours of American sacred songbook publishing. In addition to expanding the library, the team is also planning to incorporate lesson plans and teaching materials for a variety of learning levels, scholarly essays, and data visualizations about the site’s songbooks into the expanded Sounding Spirit digital library site. Until then, the Sounding Spirit team is excited to make these first collections of volumes accessible for research, teaching, and discovery.

Sounding Spirit invites you to begin exploring the initial batch of songbooks in the pilot digital library. Scholars, educators, and practitioners of all kinds are welcome! Our project team hopes you will take full advantage of the platform’s features to engage the texts and textual communities whose publishing histories and singing practices can reframe our understanding of American sacred music—one text at a time.

• Link to Digital Library: https://library.soundingspirit.org/

• Link to Checklist: https://doi.org/10.15139/S3/VQT4D5

For more information about the Sounding Spirit research lab, digital library, or scholarly editions, please contact project director Jesse P. Karlsberg at jesse.p.karlsberg@emory.edu or managing editor Meredith Doster at mdoster@emory.edu.